This year I have been determined to watch as many Oscar-buzz movies as possible…or at least the ones that intrigue me and Judas and the Black Messiah was one of those movies.
After having watched civil rights masterpieces like Malcolm X and BlacKkKlansman (both by Spike Lee) Judas and the Black Messiah felt like the generic versions of those films. The story, based on the true story of William O’Neal, an FBI informant who is tasked with infiltrating and spying on the Black Panther party in Chicago, Illinois, moves along in a cliche manner.
There aren’t any surprising revelations, the musical score feels like the type of music you always hear for these types of movies, and honestly, the only thing keeping me at all invested in this film were the performances of Lakeith Stanfield and Daniel Kaluuya.
Continue reading ‘Judas and the Black Messiah’: A Boring Movie With a Great Ending